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FE 70-200mm F2.8 GM OSS II
Model: SEL70200GM2
RM 11,799.00
1
1. Prices indicated refer to Suggested Retail Price and may change from time to time without prior notice.
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- Overview
- features
- specifications
- Support
-
Overview
FE 70-200mm GM F2.8 OSS II
Unprecedented image quality
Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one an XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimise chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters are available.
Exquisite G Master bokeh
Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32ft) at 70mm and 0.82 meters (2.69ft) at 200mm.
Fast, precise AF supports creative shooting
Four of Sony’s original XD (extreme dynamic) Linear Motors deliver high thrust efficiency that boosts AF speed by up to 4x compared to the previous model. When tracking an approaching short-distance runner, for example, tracking while zooming is improved by approx. 30% compared to the previous model, greatly increasing chances of getting the shot.
Professional movie capability
The latest lens technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a new aperture drive unit contribute to quiet operation. This lens even has independent control rings for focus, zoom, and iris, with a click on/off switch for the aperture ring. Sony’s Linear Response MF feature ensures responsive, direct manual focus control.
Advantages of Sony’s lenses for video shooting
Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.
The lightest in its class
This lens offers outstanding optical quality and AF in the world’s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9oz); approx. 29% lighter than the previous model. Advanced design improves balance, while a constant barrel length further contributes to easy, agile handling.
Professional control and reliability
Flexible focus control is provided by features such as Full-time DMF, Linear Response MF, and a focus-range limiter. An aperture ring with switchable clicks and an iris lock provides extra exposure control. MODE 1, MODE 2, and MODE 3 optical image stabilisation ensure sharp images, and a dust and moisture resistant design plus fluorine-coated front element maximise reliability in tough environments.
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Features
XA element for breathtaking resolution
Superior G Master resolution is achieved throughout the entire 70mm to 200mm zoom range at all focusing distances. Two aspherical lens elements, one an XA (extreme aspherical) type manufactured to 0.01-micron surface precision, effectively control distance-related aberration so that outstanding resolution is ensured throughout the image area.
Aberration controlled for superb images
Two spherical elements that use ED (Extra-low Dispersion) glass, plus two more that use Super ED glass significantly reduce chromatic aberration for sharp reproduction without colour bleeding. ED aspherical element is also used, simultaneously suppressing chromatic and spherical aberration that are common issues in telephoto lenses.
Excellent close-up performance
This lens offers excellent close-up performance for a zoom. Minimum focus is 0.4 meters (1.32 ft) at 70mm and 0.82 (2.69 ft) meters at 200mm. Maximum magnification is 0.3x. Deep bokeh at F2.8 adds extra expressive close-up capability. Floating focus ensures pinpoint sharpness even at minimum focus distance, while inner focus makes it easy to get close.
Nano AR Coating II for maximum clarity
Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens’s optical design also effectively suppresses internal reflections that can reduce clarity when shooting landscapes or sports.
Stunning G Master bokeh
An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, while precise spherical aberration control boosts bokeh quality. ED (extra-low dispersion) and Super ED glass spherical elements, plus one ED aspherical element, effectively minimise colour bleeding for beautiful bokeh without unnatural colouration.
New high-performance aperture unit
Even the aperture unit in this lens has been refined to meet the highest G Master quality standards. A newly developed 11-blade aperture unit that remains almost perfectly circular from wide open to stopped down by two stops helps to deliver the kind of natural-looking circular bokeh users have come to expect from a G Master design.
Fast, precise autofocus
This lens works with α series bodies to reliably focus on and smoothly track even fast-moving subjects. Four high-thrust XD Linear Motors and advanced control technology deliver up to 4x faster AF than the SEL70200GM. Focus tracking capability while zooming is improved by approximately 30% compared to the SEL70200GM.
High-performance teleconverters
Optional high-performance 1.4x and 2.0x teleconverters extend the lens’s focal length to a maximum of 400mm (600mm on an APS-C body) at F5.6. Full G Master quality is maintained when the teleconverters are in use. Maximum aperture with the 1.4x and 2.0x teleconverters is F4 and F5.6, respectively.
Designed for refined movie imagery
The latest lens design technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a newly developed aperture drive unit also contribute to quiet operation, greatly reducing noise and vibration that can interfere with movie recording.
Versatile manual movie control
Independent control rings for focus, zoom, and iris, allow precise manual operation in movie applications. The aperture ring has a click on/off switch that allows the aperture click switch stops to be turned ON for tactile feedback when shooting stills, or OFF for smooth, silent iris control when shooting movies.
The world’s lightest for superior handling
This unique lens offers outstanding optical quality and AF in the world’s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9 oz) ; approximately 29% lighter than the previous model. Advanced design improves overall balance and handling.
Iris lock stops unwanted exposure shifts
An iris lock switch prevents unwanted exposure changes while shooting. When locked, the aperture is either locked at the [A] position or can be rotated between any of the manual settings from F2.8 to F22. When unlocked, the aperture ring can be rotated between [A] and any of the manual settings without limitation.
Full-time DMF supports pinpoint focus
When the Full-time DMF is ON, manual focus is automatically engaged when the focus ring is operated, even in AF-C mode. This allows quick correction when autofocus targets the wrong subject, and is a great way to refine focus after initial autofocus. Full-time DMF is not affected by focus-range limiter switch settings.
Natural, linear manual focus response
Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually while shooting stills or movies. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.
Optical image stabilization with MODE 3
Built-in optical image stabilisation makes it easy to shoot sharp images handheld. MODE 2 stabilization is optimized for panning shots, while MODE 3 emphasizes framing stability when shooting dynamic, unpredictable motion. 5-axis image stabilisation becomes available when the lens is mounted on an α body that has in-body image stabilization.
Three customisable focus hold buttons
Three customisable focus hold buttons are provided 90° apart for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. One function can be assigned to the focus hold buttons from the body menus.
Focus-range limiter
A focus-range limiter switch (FULL/∞ ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.
Dust and moisture resistant design
Dust and moisture resistance are notably improved compared to previous model. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount. The internal zoom mechanism further resists dust and moisture while maintaining a constant lens barrel length.
Fluorine front element coating
The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.
New lens hood design
The supplied lens hood features an opening that allows convenient operation of circular polarizing or variable ND filters. It also has a flocked interior that is highly effective in preventing unwanted reflections. Silicone rubber is used on the circular front edge of the hood to enhance overall usability.
Removable tripod mount
A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.
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Specifications
Lens Specifications
MountSony E-mount
Format35mm full frame
Focal-Length (mm)70-200
Focal Length (35mm) (APS-C)105-300
Lens Groups / Elements14-17
Angle of View (35mm)34°-12°30
Angle of View (APS-C)23ﾟ-8ﾟ
Maximum aperture (F)2.8
Minimum Aperture (F)22
Aperture Blades11
Circular ApertureYes
Minimum Focus Distance0.4-0.82 m(1.32-2.69 ft)
Maximum Magnification ratio (x)0.3
Filter Diameter (mm)77
Image stabilization (SteadyShot)Optical SteadyShot™
Zoom systemManual
Teleconverter compatibility (x1.4)SEL14TC
Teleconverter compatibility (x2.0)SEL20TC
Hood TypeRound shape, bayonet type
Size & Weight
Dimensions (D x L)88 x 200 mm(3-1/2 x 7-7/8 in.)
Weight1045 g(36.9 oz.) (Without tripod mount)
-
Support
-
Overview
-
Overview
FE 70-200mm GM F2.8 OSS II
Unprecedented image quality
Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one an XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimise chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters are available.
Exquisite G Master bokeh
Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32ft) at 70mm and 0.82 meters (2.69ft) at 200mm.
Fast, precise AF supports creative shooting
Four of Sony’s original XD (extreme dynamic) Linear Motors deliver high thrust efficiency that boosts AF speed by up to 4x compared to the previous model. When tracking an approaching short-distance runner, for example, tracking while zooming is improved by approx. 30% compared to the previous model, greatly increasing chances of getting the shot.
Professional movie capability
The latest lens technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a new aperture drive unit contribute to quiet operation. This lens even has independent control rings for focus, zoom, and iris, with a click on/off switch for the aperture ring. Sony’s Linear Response MF feature ensures responsive, direct manual focus control.
Advantages of Sony’s lenses for video shooting
Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.
The lightest in its class
This lens offers outstanding optical quality and AF in the world’s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9oz); approx. 29% lighter than the previous model. Advanced design improves balance, while a constant barrel length further contributes to easy, agile handling.
Professional control and reliability
Flexible focus control is provided by features such as Full-time DMF, Linear Response MF, and a focus-range limiter. An aperture ring with switchable clicks and an iris lock provides extra exposure control. MODE 1, MODE 2, and MODE 3 optical image stabilisation ensure sharp images, and a dust and moisture resistant design plus fluorine-coated front element maximise reliability in tough environments.
-
-
features
-
Features
XA element for breathtaking resolution
Superior G Master resolution is achieved throughout the entire 70mm to 200mm zoom range at all focusing distances. Two aspherical lens elements, one an XA (extreme aspherical) type manufactured to 0.01-micron surface precision, effectively control distance-related aberration so that outstanding resolution is ensured throughout the image area.
Aberration controlled for superb images
Two spherical elements that use ED (Extra-low Dispersion) glass, plus two more that use Super ED glass significantly reduce chromatic aberration for sharp reproduction without colour bleeding. ED aspherical element is also used, simultaneously suppressing chromatic and spherical aberration that are common issues in telephoto lenses.
Excellent close-up performance
This lens offers excellent close-up performance for a zoom. Minimum focus is 0.4 meters (1.32 ft) at 70mm and 0.82 (2.69 ft) meters at 200mm. Maximum magnification is 0.3x. Deep bokeh at F2.8 adds extra expressive close-up capability. Floating focus ensures pinpoint sharpness even at minimum focus distance, while inner focus makes it easy to get close.
Nano AR Coating II for maximum clarity
Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens’s optical design also effectively suppresses internal reflections that can reduce clarity when shooting landscapes or sports.
Stunning G Master bokeh
An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, while precise spherical aberration control boosts bokeh quality. ED (extra-low dispersion) and Super ED glass spherical elements, plus one ED aspherical element, effectively minimise colour bleeding for beautiful bokeh without unnatural colouration.
New high-performance aperture unit
Even the aperture unit in this lens has been refined to meet the highest G Master quality standards. A newly developed 11-blade aperture unit that remains almost perfectly circular from wide open to stopped down by two stops helps to deliver the kind of natural-looking circular bokeh users have come to expect from a G Master design.
Fast, precise autofocus
This lens works with α series bodies to reliably focus on and smoothly track even fast-moving subjects. Four high-thrust XD Linear Motors and advanced control technology deliver up to 4x faster AF than the SEL70200GM. Focus tracking capability while zooming is improved by approximately 30% compared to the SEL70200GM.
High-performance teleconverters
Optional high-performance 1.4x and 2.0x teleconverters extend the lens’s focal length to a maximum of 400mm (600mm on an APS-C body) at F5.6. Full G Master quality is maintained when the teleconverters are in use. Maximum aperture with the 1.4x and 2.0x teleconverters is F4 and F5.6, respectively.
Designed for refined movie imagery
The latest lens design technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a newly developed aperture drive unit also contribute to quiet operation, greatly reducing noise and vibration that can interfere with movie recording.
Versatile manual movie control
Independent control rings for focus, zoom, and iris, allow precise manual operation in movie applications. The aperture ring has a click on/off switch that allows the aperture click switch stops to be turned ON for tactile feedback when shooting stills, or OFF for smooth, silent iris control when shooting movies.
The world’s lightest for superior handling
This unique lens offers outstanding optical quality and AF in the world’s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9 oz) ; approximately 29% lighter than the previous model. Advanced design improves overall balance and handling.
Iris lock stops unwanted exposure shifts
An iris lock switch prevents unwanted exposure changes while shooting. When locked, the aperture is either locked at the [A] position or can be rotated between any of the manual settings from F2.8 to F22. When unlocked, the aperture ring can be rotated between [A] and any of the manual settings without limitation.
Full-time DMF supports pinpoint focus
When the Full-time DMF is ON, manual focus is automatically engaged when the focus ring is operated, even in AF-C mode. This allows quick correction when autofocus targets the wrong subject, and is a great way to refine focus after initial autofocus. Full-time DMF is not affected by focus-range limiter switch settings.
Natural, linear manual focus response
Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually while shooting stills or movies. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.
Optical image stabilization with MODE 3
Built-in optical image stabilisation makes it easy to shoot sharp images handheld. MODE 2 stabilization is optimized for panning shots, while MODE 3 emphasizes framing stability when shooting dynamic, unpredictable motion. 5-axis image stabilisation becomes available when the lens is mounted on an α body that has in-body image stabilization.
Three customisable focus hold buttons
Three customisable focus hold buttons are provided 90° apart for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. One function can be assigned to the focus hold buttons from the body menus.
Focus-range limiter
A focus-range limiter switch (FULL/∞ ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.
Dust and moisture resistant design
Dust and moisture resistance are notably improved compared to previous model. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount. The internal zoom mechanism further resists dust and moisture while maintaining a constant lens barrel length.
Fluorine front element coating
The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.
New lens hood design
The supplied lens hood features an opening that allows convenient operation of circular polarizing or variable ND filters. It also has a flocked interior that is highly effective in preventing unwanted reflections. Silicone rubber is used on the circular front edge of the hood to enhance overall usability.
Removable tripod mount
A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.
-
-
specifications
-
Specifications
Lens Specifications
MountSony E-mount
Format35mm full frame
Focal-Length (mm)70-200
Focal Length (35mm) (APS-C)105-300
Lens Groups / Elements14-17
Angle of View (35mm)34°-12°30
Angle of View (APS-C)23ﾟ-8ﾟ
Maximum aperture (F)2.8
Minimum Aperture (F)22
Aperture Blades11
Circular ApertureYes
Minimum Focus Distance0.4-0.82 m(1.32-2.69 ft)
Maximum Magnification ratio (x)0.3
Filter Diameter (mm)77
Image stabilization (SteadyShot)Optical SteadyShot™
Zoom systemManual
Teleconverter compatibility (x1.4)SEL14TC
Teleconverter compatibility (x2.0)SEL20TC
Hood TypeRound shape, bayonet type
Size & Weight
Dimensions (D x L)88 x 200 mm(3-1/2 x 7-7/8 in.)
Weight1045 g(36.9 oz.) (Without tripod mount)
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Support
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Support
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